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Friday, May 25, 2018

Review: Audible.com


Earlier this month, I decided to give audiobooks another try. Until recently, my experience with audiobooks had been limited to those horrendous "read along" books some especially sadistic teachers had made us listen to in junior high and high school. If you never had particular nightmare, then consider yourself blessed.

Another reason I'd never given audiobooks much consideration was that I hate--no, loathe--having a story read to me. It doesn't even have to be fiction, now that I think about it. I don't even like having nonfiction things like news articles or recipes read to me. Ever since I begged my mother to teach me to read and write at the age of three, I've been an independent reader. Yes, my mother read to me as a child, and I loved hearing her voice paint images in my mind as I drifted to sleep at night. But, she also had to deal with my brother at bedtime so there were times when I was left holding a book while she was in my brother's room. (He was a couple years older than me and could read but still wanted Mom to read to him at bedtime...mostly to antagonize me.) I understood the pictures but the scrawling black insect-like words escaped me. So, out of frustration and thanks to an incredibly broad independent streak, I asked Mom to teach me to read and write. Once I had those skills under my belt, I didn't wait for Mom to read to me at night. At least not as much. She would still tuck me in and give me a goodnight kiss, but I definitely came to love reading on my own and devoured as many books as I could. When reading the same books over and over between library visits grew old, I began writing my own stories....but that's a story for another time, and I digress.

So out of a desire to actually accomplish things around my house--such as organizing my office at last--and wanting to devour books, I decided to try Audible.com since they offered a 30-day free trial. My first download was a book I've read many times and have always loved: Fahrenheit 451 by Ray Bradbury. One of the main reasons I chose this book was that it's been on my mind a lot lately. (Yes, I'm aware of the upcoming TV adaptation of it, and that's why I've been thinking about it.) Another reason was it was narrated by one of my favorite actors: Tim Robbins (Jacob's Ladder, Shawshank Redemption, Mission to Mars). Plus, it was free. I figured if I could enjoy actually listening to a book I already knew read in the voice of an actor I like, then I could possibly overcome my dislike of audiobooks.

Well, that was my thought anyway...

As I listened to the recording of Fahrenheit 451, my old hatred of passively listening to someone read sentences to me arose. There was nothing wrong with Robbins' performance. He was brilliant as Montag and rendered great voices for Clarisse, Beatty, Mildred, and others. The dysfunction didn't lie with Robbins, certainly not with Bradbury, or even the format of the audiobook itself. No, it was entirely my own shortcomings that made listening to it less enjoyable than actively reading it. I had a complete failure to launch the images that normally flood my brain when I read a book. My private movie theater was closed, doors locked, and ticket window shuttered. While I love Bradbury's work, I didn't love my experience with Audible.com. I was determined to cancel my membership and save the $14.95 monthly fee since I wasn't going to use it.

Then, I talked to my husband about "my problem."

He suggested, since I still had an entire month to decide, that I should try downloading a book I hadn't read yet but that I'd been wanting to read. Even though he refuses to read anything that isn't a computer programming manual, he was giving me advice on how to approach audiobooks. (Actually, he has read a few books other thank programming manuals. He's voluntarily read Douglas Adams' The Hitchhiker's Guide to the Galaxy series and involuntarily read the multitude of crappy things I've written and shoved in his face.) Skeptical, I agreed to try a book that had been sitting on my to-be-read pile for months and downloaded Holly Black's The Cruel Prince.

Damn my husband. I loved the book. I loved the narrator. I loved the writing. Most of all, I loved the images that danced in my brain as I listened to the words and organized shelves of books in my office. When I finished The Cruel Prince, I downloaded Sarah J. Maas's A Court of Thorns and Roses, and loved it as well. I'm now listening to the sequel, A Court of Mist and Fury, and yes, I'm loving it as well. (Look for reviews of TCP and ACOTAR soon.)

So, am I truly over my hatred of audiobooks and having things read to me? No. But, I am willing to give the medium a fair shake if it allows me to multitask while still enjoying great books from great authors.

Review at a Glance:

Experience: B+ to A-
Likely to Recommend to a Friend: Yes
Will I Buy Again: Highly Likely

Thursday, March 29, 2018

Book Review - The Hunger by Alma Katsu

Title: The Hunger
Author: Alma Katsu
Genre: Horror/Thriller
Publisher: G. P. Putnam's Sons - Copyright 2018
Review Copy Source: Purchased via Barnes & Noble
Read: March 22-29, 2018
Disclaimer: I purchased the copy of this book that is reviewed here and have received no compensation from the author or publisher. All opinions are my own.

Review: I heard whisperings of a new horror story blending fact with fiction based on the tragic events surrounding the ill-fated Donner Party. If you're unfamiliar with the history surrounding the Donner Party (sometimes referred to as the Donner-Reed Party), then I offer a little background: 

The Donner Party was a wagon train led by George Donner and James F. Reed seeking their way across the plains to California in 1846. Due to a series of unfortunate events, weather, and the questionable decision to take an alternate route from the majority of wagon trains, the group found itself stranded in the Sierra Nevada Mountains during the winter with diminished supplies. By the time a rescue was mounted and found the survivors the following spring, only forty-eight of the roughly ninety original settlers made it to California. The most gruesome and lasting detail of their story is that some of the survivors resorted to cannibalism in order to make it through the harsh winter. 

That is historical fact, and it's a fact Alma Katsu doesn't shy away from in her compelling yet insidiously gothic novel, The Hunger. The cover alone tells of the desperation and isolation faced by
settlers making the crossing from East to West in the 1800s. A lone wagon trudges across the barren, dry plains with darkening skies over ominous mountains in the distance. Being the keen observer that I am, I noticed the blood spattered along the side of the wagon's canvas covering after having read the entire book. (Yep, just call me Eagle-Eye. 😉) 

I admit I was a little concerned that maybe I'd fallen for hype when I first started reading. The first chapter didn't really grab my attention by the throat like I'd hoped a novel about the Donner Party might, but I kept reading, and reading, and reading, and reading reading reading reading. Just like the wagon trail pushing through pages of ever increasingly dire situations, I found I had no choice but to keep turning page after page. Katsu's writing is tight and vivid. The characters slowly emerged from the darkness of my mind to become fully formed people. The landscapes--having lived in Colorado and traveled across the Plains States several times--were brilliantly captured. 

The Katsu brought the creepy, and oh, man...chills. More than once I found myself setting the book aside and saying, "That ain't right!" But I always came back to it because I needed to know who survived and how. Even though I'm familiar with the historical circumstances surrounding the Donner Party, I needed to keep reading to learn their fate. 

The Hunger is a masterful blend of myth and reality written by a stellar talent, and I look forward to reading more of Alma Katsu's work...but only in a well-lit room because, damn. 

Review at a Glance:

Concept: A+
Execution: A+
Writing Style: A+
Characters: A-
Reader Connection: A
Overall Grade: A+
Would I Buy This Author Again: Absolutely!

Friday, March 23, 2018

Book Review - Red Rising by Pierce Brown

Title: Red Rising
Author: Pierce Brown
Genre: YA Science Fiction
Publisher: Del Rey - Copyright 2014
Review Copy Source: Purchased via Barnes & Noble
Read: March 7-22, 2018
Disclaimer: I purchased the copy of this book that is reviewed here and have received no compensation from the author or publisher. All opinions are my own.

Review: I'm a little behind the times on my reading due to studying for a second Bachelor of Arts degree. (I'll be even more behind once I **fingers crossed** am accepted into a Ph.D. program.) That's why I'm only now reading Pierce Brown's Red Rising. I'll make this review brief:

O
M
G

Why did I wait so long to read this book?! 😭 Brown has taken a familiar setting--Mars--and created
a unique world that is at once relatable and completely alien. I loved Darrow and Eo from the start. Darrow has vaulted into the cadre of Must Read Characters along with Harry Potter, Mia Corvere, and Katniss Everdeen. 

Brown's knack for continually upping the stakes for his characters is a thing of beauty. The tension between Darrow and Cassius is so tightly draw that I wondered when it would snap, and when it finally did... I was in awe. And then, Brown upped the stakes between these two characters again! Aaaaaahhhhh!!!!! 

Honestly, I have little words to describe how much I enjoyed this book that won't spoil it for anyone who hasn't read it. If you enjoy well-written, high-stakes science fiction, Red Rising is for you. Don't let the fact that it's targeted for young adults stop you from reading it because you will soon forget the characters are teens. 

Review at a Glance:

Concept: A
+
Execution: A+
Writing Style: A
Characters: A+
Reader Connection: A
Overall Grade: A+

Thursday, March 8, 2018

Book Review - The Sound of Broken Ribs

Title: The Sound of Broken Ribs
Author: Edward Lorn
Genre: Horror
Publisher: CreateSpace - Copyright 2018 Lornographic Material
Review Copy Source: Purchased via Amazon.com
Read: March 3-5, 2018
Disclaimer: I purchased the copy of this book that is reviewed here and have received no compensation from the author or publisher. All opinions are my own.

Review: I learned of Edward Lorn's The Sound of Broken Ribs through Instagram. I saw the cover in someone's post and was intrigued by it as well as the title. Since I'm a fan of the horror genre, I decided to look it up and found it listed on Amazon with the following description:

"Lei Duncan has it all: the ideal life, the perfect career, a loving husband. What more could someone ask for? It is with this in mind that Lei takes her morning run. Belinda Walsh has lost it all: her home, her husband, her mind. She thought she knew Dan, but one phone call changed all that. Now everything she’s known to be true is a lie. It is with this in mind that she goes looking for something—or someone—to destroy. When the lives of two strangers intersect, something will be born of the connection. For one of these two souls, the truth of the world will shift and morph into something powerful and dangerous. A darkness of the mind, a tear in sanity. And something will peek through that darkness, beckoned by the sound of broken ribs."

Based on the cover and description, I decided to give the book a try and ordered it. I received it a few days later and eagerly dove into its pages. What I found left me...confused.

The concept of the book is good but familiar. Character A has everything. Character B loses everything. Their paths cross. Mayhem abounds. Lorn offered a twist that kept me interested just enough to read the entire book, and that twist is the personification of Pain. As someone who is intimately familiar with the pain of broken bones, I was interested to see where Lorn would take this personification. Sadly, the potential I saw didn't pay out in the end.

Overall, I'm conflicted by Lorn's book. I had no connection to the characters so I didn't feel as though they were in jeopardy. Honestly, I didn't care of any of them lived or died, and this was one of my main issues with this book. Lei Duncan is the protagonist, if there can be a clear cut protagonist-antagonist relationship here, but I know nothing about her other than she's a writer with a supportive husband and an obsession for running. Beyond this, Lei Duncan is a mystery. That mystery made for a lack of empathy for her. Yes, she finds herself in dire circumstances. Yes, I had a moment of "Wow, that sucks." However, I felt no compulsion to cheer for her, to urge her forward in her story. She was a flat character.

The same can be said of the antagonist, Belinda Walsh. She, too, finds herself in dire circumstances with a crappy husband and insane brother, and that's all I really know of her. So she's as flat and one-dimensional as Lei Duncan. Beyond a "It sucks to be you" moment, I couldn't find empathy for her either. As a reader, I want to identify with characters in some way. If it's the protagonist, I want to urge them forward. If it's the antagonist, I want to root for their downfall, or at least understand why they've gone down their dark path. None of this is provided by Lorn for either of these characters.

Another concern was the overall writing itself. I want to be shown a story, not told a story. I want to sink into a character's point of view so I can imagine being that character. Lorn's writing kept me at arm's length. For example, the opening paragraph of The Sound of Broken Ribs is two sentences:

"In forty-five minutes, she'd be fighting for her life. But, for now, Lei Duncan was typing The End."

Don't tell me she's going to be fighting for her life, show me that fight. Show me Lei Duncan propelled fifty feet in the air when a car smashes into her. Make me feel the car's impact, the sense of weightlessness, and the impact of hitting the ground. Make me feel bones breaking. Make me feel like what it's like to cling to life by the broken tips of once perfectly manicured fingernails. Make me feel as though Lei Duncan--and therefore, I--have a reason to live, and then make me feel the struggle to claw my way back from the edge of the abyss. This is supposed to be a horror story. Give me a reason to put the book down and an even bigger reason to pick it up again. Give me suspense. Give me insidiousness. Give me a creeping chill that makes me believe there's something dark, formless, and hungry stalking me. Give me horror. 

As I stated before, I'm conflicted by The Sound of Broken Ribs. I see so much potential beneath the surface, but overall, Edward Lorn fails to deliver on that potential.

Review at a Glance:

Concept: B+
Execution: C+
Writing Style: C
Characters: C
Reader Connection: D
Overall Grade: C+
Would I Buy This Author Again? Unlikely